Polish Society for Electroacoustic Music

Studio for Electroacoustic Music at the Academy of Music in Krakow

 Tomasza Str. 43, 31-027 Kraków

 A C O U S M O N I U M

C o n f e r e n c e

37th General Assembly of International Confederation of Electroacoustic Music

Françoise Barrière in Memoriam

Krakow, October 11-13, 2019



15.00 – 17.00 Chamber Hall General Assembly 1 – Board of Directors

19.00 Concert Hall CONCERT 1

Andres Levin DIRGE for Françoise Barrière 2019 5:20 AMEE, Spain

Eduardo Polonio Elle aimait les chevaux, in memoriam Françoise Barrière 2019 4:25 AMEE, Spain

Juan José Raposo Tombeau pour Françoise Barrière 2019 5:15 AMEE, Spain 

Julio Sanz Vázquez ¿Cómo te lo diría yo? 2019 5:26 AMEE, Spain

Philippos Theocharidis Baza (Debris) 2016 3:14 HELMCA, Greece

Andreas Mniestris Brainrinth 2019 14:00 HELMCA, Greece (Nikos Kokkalis – idea & image processing,  Stefanos Papadas – video processing) 

José Manuel Berenguer El durmiente 2015-19 10:00 Orquestra del Caos, Spain

Pablo Redes Son-Ethos 2013 9:51 Orquestra del Caos, Spain 

Emil Bruscolini Porto 2018 9:31 Tempo Reale, Italy

Manuel Rocha Iturbide Trama de Tramas 2018 8:52 video AARSOM, Mexico

  • Anna Margules contralto & bass flute recorder 

Rodrigo Sigal Repetition of Perception 2012 7:40 AARSOM, Mexico

Antonio Russek Ten sound snapshots 2019 6:00 AARSOM, Mexico



9.00 – 11.30 Chamber Hall General Assembly 2

12:00 – 14.30  Chamber Hall CONFERENCE Panel 1

Marek Chołoniewski  Moving objects and wave field synthesis AMK, Kraków

Slavomír Hořínka / Michal Rataj / Jan Trojan Speakerhead and the HAMU mobile acousmonium as a live instrument for the orchestration of space HAMU, Praha/Czech Republic

José Manuel Berenguer Acousmonium versus Immersive media in Spain Orchestra del Caos, Spain

Manuel Rocha Iturbide  Electroacoustic Music and Sound Installation. Point of convergence and divergence AARSOM, Mexico

Panayiotis Kokoras Fab Synthesis: Performing sound, from Musique Concrète to Mechatronics CEMI, Denton/USA

Todor Todoroff The use of sound interactions in recent contemporary dance performances FeBeME, Brussels, Belgium

15:30 – 18.00 Chamber Hall CONFERENCE Panel 2

Catalina Leonor Peralta Caceres  Acousmonium? The Halaphon’s spatialization, through Luigi Nono’s “Omaggio a György Kurtág”, for Alt, Flute, Clarinet in Bb, Tuba and live-electronics GrupLac, Bogota/Colombia

Adam Stanović The Electroacoustic Performance: a compositional ‘telos’ BEAN, Shefeeld, UK

Miguel Azguime The Loudspeaker Orchestra paradigm: a place for interpretation of electroacoustic music? Miso Music, Lisboa/Portugal

Alla Zagaykevych Early Ukrainian cinema as a potential source of electroacoustic music UAEM, Kyev/Ukraine 

Annette Vande Gorne Space and Acousmonium Musiques&Recherches, Ohain/Belgium


CIME Prix 2019 Annoucement

19:00  Concert Hall CONCERT 2

Anya Pospelova Dvo_YE 2019 8:00 CEAMMC/Russia audio video

  • Edyta Fil bass flute

Nikolay Popov Edit(a)Fill 2015 7:00 CEAMMC/Russia audio video

  • Edyta Fil flutes

Miguel Azguime SheBeingBrand 2010-14 6:00 Miso Music/Portugal

Filipe Esteves Estuário 2019 12:00 Miso Music/Portugal

Panayiotis Kokoras Mosaicing 2016 7:16 CEMI UNT/USA audio

  • Edyta Fil flute

Jon Christopher Nelson When left to His Own Devices 2018 8:40 CEMI UNT/USA

Qi Shen Aurora 2012 7:00 CEMI UNT/USA

Jean-Baptiste Zellal Ruines 2016 8:14 M&R/Belgium

Loup Mormont Ultramarine IV 2019 10:12 M&R/Belgium

Annette Vande Gorne Haiku: été, jeu d’insectes lancinants 2018 2:46 M&R/Belgium 

Catalina Leonor Peralta Caceres …Per DUO BASSO II, quasi recitativo 1998/2019 9:00 GrupLac/Colombia audio video

  • Jakub Gucik cello
  • Kazimierz Pyzik duble-bass
  • Catalina Peralta live electronics 

Harold Vasquez-Castaneda Residuo de Esterella Blanca (Reminder of White Star) 1999-2000 7:30 GrupLac/Colombia

Dariusz Mazurowski VIVA L’autunno 2018 5:00 PSeME/Poland 

Elżbieta Sikora Aquamarina 2018 10:00 PSeME/Poland 

Wojciech Błażejczyk Étude semi-concrète. Study for Many Strokes on Different Objects  for objectophones and guitars (Hommage à Włodzimierz Kotoński) 2019 10:22 PSeME/Poland audio video

  • Wojciech Błażejczyk objectophones, guitars, electronics



9.00 – 11.30 Chamber Hall General Assembly 3

12:00 – 14.30 Chamber Hall CONFERENCE Panel 3 

Barbara Okoń-Makowska  Space composed and concert space – limits in interpretation of sound diffusion UMFC, Warszawa/Poland

Dorota Błaszczak Daily Data Orchestra UMFC, Warszawa/Poland

Lorenzo Brusci  Giardino Sonoro, natural music dissolvings. A model for the intensive inhabitance of new realities Florence, Berlin, Krakow

Katerina Gryvul  Devaluation by abundance in electronic music UAEM, Kyev/Ukraine 

Mateusz Bień eNastro multichannel sound diffusion system AMK, Kraków/Poland

Robert Lisek  Meta-learning for music composing Institute of Advanced Studies Central European University, Budapest/Hungary (Skype)

15:30 – 18.00 Chamber Hall CONFERENCE Panel 4

Maciej Walczak Simulation of moving acousmonium in VR – journey to the world of dancing speakers AM Łódź/Poland

Marcin Rupociński Memory game. Reflection on the development of electronic instruments at the turn of the 20th and 21st centuries AM Wrocław/Poland

Artur Lis  Oscillators, graphics, acousmatics and binaural beats Intermedia, Kraków/Poland

Michał Janocha 5-dimentional Sound Geometry AM Poznań/Poland

Robert Gogol Acousmatic, and even better Virtual  AM Poznań/Poland

Karolina Dąbek Sound is always motionless. About sound illusion in avantgarde music of the end half of XX century AMK, Kraków/Poland


19:00 Concert Hall CONCERT 3 

Jean-Louis Poliart Erosion 1993 5:27 FeBeME/Belgium 

Daniel Perez Hajdu Jeu 2007 3:30 FeBeME/Belgium

Stéphanie Laforce Bach Ballon-On 2015 4:40 FeBeME/Belgium 

Échos baroques, caverne 2012 3:03 FeBeME/Belgium 

Todor Todoroff Studio 4 2004 5:00 FeBeME/Belgium 

Ma Shihua Hymn for Creators 2019 5:30 EMAC/China 

Mi Wenbo Language 2018 5:40 EMAC/China

Qiao Yang The sound memory of yonblakon 2018 5:26 EMAC/China

Idin Samimi Mofakham Fata Morgana 2018 9:25 Spectro/Iran audio

  • Edyta Fil  flutes
  • Jakub Gucik cello
  • Martyna Zakrzewska piano
  • Idin Samimi Mofakham electronics

Arsalan AbedianCstück Nr 2 2015 5:04 Spectro/Iran

Elsa Justel Cercels et surfaces 2013 14:52 FARME/Argentina

Sviatoslaw Krutykov Chronometry 2019 10:00 UAEM/Ukraine audio

  • Jakub Gucik cello

Anton Stuk The last and the greatest day of Oboe 2019 6:42 UAEM/Ukraine

Alla Zagaykevych Interlude 2018 4:00 UAEM/Ukraine

David Holland Talasgair 2018 8:39 BEAN/UK

Louise Rossiter Homo Machina 2018 10:07 BEAN/UK


Entrance free

Webcast live at


 Organisations and delegates attending:

AARSOM (Manuel Rocha Iturbide, Anna Margules), AMEE/Orquesta del Caos (José Manuel Berenguer), BEAN (Adam Stanović), CEAMMC (Anya Pospelova, Nikolay Popov, Edyta Fil), CEMI/UNT (Panayiotis Kokoras), FeBeME (Todor Todoroff), GrupLac (Catalina Peralta), HELMCA (Andreas Mniestris), M&R (Annette Vande Gorne), Miso Music (Miguel Azguime), PSeME (Wojciech Błażejczyk, Marek Chołoniewski, Dariusz Mazurowski, Edward Sielicki, Lidia Zielińska), SEAMUS (Konstantinos Karathanasis), Spectro (Martyna Kosecka, Idin Samimi Mofakham), UAEM (Alla Zagaykevych, Anton Stuk)

Program of Acousmonium Conference with concerts, papers and General Assembly of CIME available here




Call for Participation

Deadline, June 30, 2019, extended to July 23, 2019 | |


Dear Friends,


We are pleased to announce the call for programs for the CIME/ICEM 37th General Assembly organized by the Polish Society for Electroacoustic Music (PSeME) | <>and the Studio for Electroacoustic Music at the Academy of Music in Krakow (SMEAMuz) <>. You can find more information regarding the festival at <>. Please find attached the Call for Music and the Application Form. Both Concert Submission and Conference Presentation proposals must be submitted by July 23, 2019.


Each National Federation or Organization/ Institution Member (OIM) may submit music for concert programming consideration. The recommended duration of the submitted program is 20 minutes for CIME members attending the GA in Kraków and 10 minutes for members not attending. Please list the submitted works in order of preference. All submissions must be sent through National Federations or OIM members, no individual submissions are accepted.


Submissions can include works for fixed audio, instrument(s) and electronics, video music, sound art, and new interfaces. The available instruments are flute, cello, piano, and percussion while other instruments could be considered. The theme of the conference is Acousmonium, and we invite all delegates to submit an abstract of 500 words maximum for paper presentation consideration. Online presentations are possible via Skype.


Accommodation can be provided only for delegates presenting at the Acousmonium conference. Concert submissions and Conference presentation proposals must be submitted by July 23, 2019.


Please direct any questions you may have about the submission process directly to Marek Choloniewski <>.


We are looking forward to seeing you all in Kraków!


Main Board of CIME/ICEM

Marek Choloniewski

Panayiotis Kokoras


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Polish Society for Electroacoustic Music

Studio for Electroacoustic Music at the Academy of Music in Krakow

37th General Assembly of International Confederation of Electroacoustic Music

Krakow, October 11-13, 2019

Call for Participation

Deadline, June 30, 2019; extended to July 23, 2019 | |


  • National Federation/ International Member Organization:
  • Member’s name:
  • Email:
  • Attendance: 
    • I do not plan to attend: ____
    • I will attend: ____
      • Days of attendance: Friday 11, 12, 13 of October 2019

Concert Materials Submission

To submit concert program materials, please complete the section below for each composition. In addition to completing the form, it is required that all performance materials must be uploaded to a cloud drive such as GoogleDrive, Dropbox, etc. with link information submitted in this form.

For each music submission, please provide the following information to:

Marek Choloniewski –

with subject: CIME ICEM 2019 Music

For each work, please submit the following information:

  • Title:
  • Year:
  • Medium: Fixed media, Live setup, Audio/Video, Instrument(s) and electronics (real time or not)
  • First/ Last Name:
  • Email:
  • Duration:
  • Does this work require Live Performer(s)?
    • No
    • Yes
      • I will provide my own performer (name, email)?
      • Request performer(s)
  • Program Notes:
  • Short composer biography:
  • Number of outputs (up to 8-channel):
  • Technical information required to perform the work:
  • Cloud storage shared link:


Paper Submission

For each presentation, please submit the following information to 

Marek Choloniewski –

with subject: CIME ICEM 2019 Music

  • Author(s):
  • Email:
  • Title:
  • Abstract (500 words maximum):
  • Mode of presentation:
    • I will attend and present in person
    • I will present via Skype